11 dic. 2003

I'm reading Christopher Hasty's Meter as Rhythm. I lose him in some of the more technical aspects of musical analysis. I love the philosophical parts of the book, especially when he goes on and on about trying to define the border between silence and sound. He takes his cues from Whitehead.

The frame of reference is entirely Western "Classical" music.

The effort to try to derive triple meter from duple meter is questionable.

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