Email me at jmayhew at ku dot edu
"The very existence of poetry should make us laugh. What is it all about? What is it for?"
--Kenneth Koch
“El subtítulo ‘Modelo para armar’ podría llevar a creer que las
diferentes partes del relato, separadas por blancos, se proponen como piezas permutables.”
Mostrando entradas con la etiqueta jazz course lecture notes. Mostrar todas las entradas
Mostrando entradas con la etiqueta jazz course lecture notes. Mostrar todas las entradas
13 dic 2009
24 nov 2009
Jazz is not "America's classical music." Just think about it a moment. It's kind of like the "champaign of beers" logic. All the prestige in the comparison comes from classical music and flows toward jazz. The terms cannot be reversed: you can't call Mozart an Austrian jazz musician, can you? The phrase is based on a dehistoricized construction of classical music, a term that wasn't even used until well into the 19th century, and a dehistoricized view of jazz as well--one that tries to sever the links between jazz and various forms of popular music. It's a purely aspirational sentiment meant to improve the prestige of jazz by associating it with already prestigious forms of music.
You don't need to "make a lady" out of jazz, improve it to make it more classical. Once you start calling it America's classical music you get Wynton Marsalis.
You don't need to "make a lady" out of jazz, improve it to make it more classical. Once you start calling it America's classical music you get Wynton Marsalis.
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