This is a poem called "Morton Feldman." I hope you like it. My original plan was to write a series of poems using titles from Feldman's music, like "Rothko Chapel," "For Frank O'Hara," "The Viola in My Life," or "Crippled Symmetries." I would use these titles and write to his music. But how could I write to his music? Dancing to music I understand, although I do not do it well. There is a relation between the musical pulse and the movement of feet and body. Most people understand this relationship. Writing to music is something different from that. I could write about the music, I suppose, but what would be the point of that? Assuming I have something to say about this music, I would probably not use a poem to say it. This poem least of all. So in place of the series of poems written to titles of Feldman's music, I have written this explanation of how I could not write these poems.
I hope you have enjoyed my poem "Morton Feldman."
Email me at jmayhew at ku dot edu
"The very existence of poetry should make us laugh. What is it all about? What is it for?"
--Kenneth Koch
“El subtítulo ‘Modelo para armar’ podría llevar a creer que las
diferentes partes del relato, separadas por blancos, se proponen como piezas permutables.”
30 nov 2011
Morton Feldman
Here is the second poem I have written this morning. This too, is unlike anything I have ever written, though it bears some relation to "Page of Prose" and "The Complete Sentence Game."
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3 comentarios:
I suspect the unacknowledged influence lurking behind this text is Cage. Of course I see him everywhere, but the cyclic self-referentiality and understated tone really do remind me of him specifically -- take the Lectures on Something and on Nothing.
For what it's worth, though, I did enjoy it....
Nice poems -- both of them.
They're both about love.
Thanks for posting.
Cage was a friend of Feldman and is present in his writings, so I'm sure I was subconsciously using that tone from Cage, though it didn't occur to me until you pointed it out. Needless to say, I have read a lot of Cage's prose in my day too, though I am more influenced by Feldman's ideas than Cage's.
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