Email me at jmayhew at ku dot edu 
"The very existence of poetry should make us laugh.  What is it all about?  What is it for?" 
 
--Kenneth Koch  
“El subtítulo ‘Modelo para armar’ podría llevar a creer que las
diferentes partes del relato, separadas por blancos, se proponen como piezas permutables.”
1 oct 2002
Harold Bloom.  Timothy Bahti.  Geoffrey Hartman.  George Steiner.  Highly literate critics whose work I ought to appreciate, but whose prose style is so turgid and overwrought  that I rebel. Those who complain about neo-colonial critics could also take a look at these “conservative” Comparative Literature professors.  There is a connection, of course:  the “Yale” style of Bloom and Hartman is taken up by Yale Ph.D. and Derrida translator Gayatri Spivak.  I have never found anything useful in anything written by Harold Bloom.  Some specific, identifiable, usable idea would be nice!  Bloom has no ear for language—a serious handicap for a specialist in poetry.  His own writing betrays him:  as Joseph Epstein (a writer I usually dislike) pointed out recently, anyone who writes like that is no aesthete.         
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