15 dic. 2011
Chapter 4, "Cuerpo presente: una poética performativa" develops the idea that Lorca's poetics is a performative one, with all that that implies. The title comes from a section from Lorca's "Llanto por Ignacio Sánchez Mejías." The idea of the presence of the body is key here, because performance requires the body on some level. I'll be building off some astute insights from the Lorca critic Roberta Quance and doing a close reading of the Duende lecture.