14 dic. 2011
Chapter 3 of "modelo para armar" is about Lorca's influence on Valente and Gamoneda. I will be borrowing a bit from an article I published in Spanish. The title is "la ansiedad de una influencia." My argument is that these poets do not acknowledge Lorca enough, especially Valente. I argue that poets like Lorca and Vallejo present a model of fractured subjectivity, unlike, say Juan Ramón Jiménez with his confidence in the power of language to create an autonomous verbal reality. Valente wants to acknowledge Jiménez but not Lorca, the stronger and more radical model. He (Valente) also puts Neruda over Vallejo, or reads Vallejo in a narrower way. This chapter is going to kick ass.