Email me at jmayhew at ku dot edu
"The very existence of poetry should make us laugh. What is it all about? What is it for?"
“El subtítulo ‘Modelo para armar’ podría llevar a creer que las
diferentes partes del relato, separadas por blancos, se proponen como piezas permutables.”
And oddly, that didn't bump you to the top of the page. They're still working the kinks out, I guess.Am I right in thinking that every literature has a different shape abroad? That other countries have canons of American literature, for example, that look rather different from what we know? The stock example, I believe, is the (erstwhile? mythical?) prominence of Poe for the French. But I think I've also heard that Faulkner has mattered specially in Latin America. And on a lesser scale, Bukowski is a bigger deal in Germany and Italy than here.
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