To paraphrase Jonathan's precis of what makes good criticism: Account for some previously unexplored or misunderstood quality of someone's poetry, without which the work would be ordinary. Do so in good prose..
And do so concisely, unlike my wordy post below.
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Also, concision is always relative to the amount of information conveyed. A 2000-page book could be concise, conceivably...
And, needless to say, Jordan's no oaf.
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