Some guy I never heard of in APR, a former Creative Writing Bureaucrat apparently, is dissing language poetry for its lack of emotion. His poems, on the other hand, try hard for emotional effect but have no linguistic energy to make this emotion meaningful or truly "felt." There's nothing in the LANGUAGE.
And I just acquired a complete set of The Poker. An interview with Ange Mlinko in which she talks about reading mainistream journals as a kid, Poetry and so forth, and knowing that it wasn't "poetry," that it was mediocre and "middle-brow." Then picking up Creeley and knowing contemporary poetry was still possible.
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