¡Bemsha SWING!

11 ago 2005

Titles (for Gary Sullivan)

Slim Volume of Poetry
How I Wrote Certain of My Books
The Morton Feldman Fake Book
Minor Poets of the New York School
Title to be Announced
Poems Retrieved from Bemsha Swing
The Oblviion Ha-Ha
Claudio Rodríguez and the Language of Poetic Vision
Poetry After Jim Behrle
Don't Steal This Title

5 comentarios:

Ray Davis dijo...: I realize you can't trademark a title, but I fear confusion with Anselm Dovetonsils's Slim Volume of Poems and Poetry. And any potential author should fear it even more.; 7:35 p. m.
shanna dijo...: that was my first chapbook title, in 1994ish: "a slim volume." i got it from something in virginia woolf, i think. god, it sucked.; 7:54 p. m.
Jonathan dijo...: Yes, can't forget about "Anselm Dovetonsils."; 7:55 p. m.
Gary dijo...: I feel like an idiot, because I did not realize that you had something called The Monk Fake Book, or I simply just didn't let that info sink in. I'll call my book something besides Fakebook (which I actually stole from the Feelies, or wait, no, that other Lou Reed-y band, Yo La Tengo), which is just a working title, anyway.

Forgive me!; 1:56 p. m.
Jonathan dijo...: You are forgiven!; 3:43 p. m.

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Blurbs & Reviews

"Jonathan Mayhew’s new work belongs to a certain class of surprising books: those so obviously necessary once they appear that it apparently required a stroke of genius to come up with the idea for them."

--Daniel Katz

"Jonathan Mayhew's Lorca is less the distinctive Spanish poet, whose murder in 1936 marked the beginning of the Civil War, than he is an American invention. From the 1940s to the end of the century, our poets have invoked Lorca-in translation, of course-as a Romantic, exotic, radical, and, in many cases, gay icon-the poet of mystery and the duende. The Lorca myth, Mayhew argues persuasively, has enriched American lyric, but it has also been an obstacle to a more adequately grounded understanding of Spanish poetry in the 20th century. Apocryphal Lorca is revisionist criticism at its most acute."

-Marjorie Perloff

"Enhanced by copious notes and an excellent bibliography, this book offers a perceptive, intriguing assessment of the Garcia Lorca created by the postwar generation of American poets." (Choice )

"Mayhew is a critic who is at the top of his game; he combines a breadth of knowlege of the field with acute analysis."

--John C. Wilcox, University of Illinois at Urbana-Champaign

"Let me just cut through all the usual, boring book review preliminaries and say the following thing: Jonathan Mayhew has, in Apocryphal Lorca, written an amazing book. "

--Brandon Holmquest, Calque

"The great merit of Mayhew's study is his sustained effort to document and interrogate Lorca's reception, unique among American encounters with foreign literatures in its nature and extent."

--Lawrence Venuti, TLS.

"Se trata de Jonathan Mayhew y su extraordinario estudio Apocryphal Lorca. Translation, Parody, Kitsch. Esta obra se ocupa no de García Lorca sino de cómo los escritores estadounidenses han reinventado a Lorca, desde Spicer y Rothenberg hasta O’Hara y Koch. Asimismo, es una discusión de la Deep Image —¡cuánto hay que desmenuzar de ese capítulo!— y la manera en que la poética norteamericana se ha apropiado de lo lorqueano (o lorcaesco) y del concepto de lo 'otro' que éste representa. Éste es un libro repleto de sutilezas, de tesis, apuntes, datos."

--Heriberto Yépez

"Apocryphal Lorca, sin embargo, es mucho más que un estudio de las vidas posteriores de Lorca en la poesía americana entre principios de los años 50 y 70. También ofrece un acercamiento histórico a la traducción de su obra, descubriendo reseñas de prensa significativas y discurriendo acerca de reconocimientos críticos. El texto es elegante y fresco; el análisis amplio e históricamente específico."

--María Delgado, Revista de Literatura

¡Bemsha SWING!

11 ago 2005

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