What I'm trying to say is that I need the poetic speaker's voice to be self-aware. If I'm going to write something like "Many times I have pleaded with Apollo for respite from my troubles," it's going to have an ironic edge to it. I don't think anyone can manage that kind of thing "straight." Of course, there are about hundred tonalities of irony available for the task. Mock-heroic, campy, faux-naif, detached, paranoid, deadpan dry, over-eager, "teen-age sarcastic," Proustian-aristocratic, proletarian, mock-sincere. (Well, that's 11 just off the top of my head.) Since irony arises from a clash of opposing perspectives, any two perspectives can enter into productive tension.