Email me at jmayhew at ku dot edu
"The very existence of poetry should make us laugh. What is it all about? What is it for?"
--Kenneth Koch
“El subtítulo ‘Modelo para armar’ podría llevar a creer que las
diferentes partes del relato, separadas por blancos, se proponen como piezas permutables.”
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31 oct 2011
Hancock
Herbie Hancock started off with a lengthy version of Wayne Shorter's "Footprints" on acoustic piano. Then he played a lengthy version of his own "Dolphin Dance," one of his most beautiful tunes. He gradually switched from acoustic piano to his electronic gear, so that by the end of the night he was mostly playing electronics, jamming to his prerecorded grooves. He played "Canteloupe Island" and the audience ate it up. At the end he was playing a keyboard strapped around his neck with which he could get guitar-like effects by manipulating some buttons with his left hand. I kind of went into a trance during the whole concert.
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