¡Bemsha SWING!: Linguistics

15 feb 2011

Linguistics

I had a graduate student once, in a course on literary theory. In the course I had been explaining some basic background relating to Saussure and structuralism. We covered some Chomsky in this course: his idea of universal grammar. I am not a linguist, but I thought it would be useful to explore some of this background to see where some key concepts of modern literary theory came from. We explored the idea of the Sapir-Whorf hypothesis, which most people are interested in debating. Almost everyone has an opinion about whether language influences the thoughts we have, or not. This was just basic material I thought every educated literary critic ought to know about. So this student in my office one day says "i hate linguistics." Nothing in the course had been of interest to him so far.

Thanks a lot. It really helped me to know that you were an idiot right from the beginning. Why would you think your emotions about linguistics were interesting to me? Your dislike for the discipline is a fact about you, not a fact about linguistics. It shows you are lacking in intellectual curiosity, for one thing. Some things are going to be more interesting to you than others, but I don't really care. Please keep it to yourself because nobody else is going to really going to take your opinion seriously.

You complained that nobody else cared about the one issue of importance to you. But when you wrote about this issue, you turned in a piece of crap to me. So I guess you didn't care either.

2 comentarios:

Clarissa dijo...: How annoying is that?? I asked my students last week which texts they liked and didn't like in the Survey course and why. Everybody offered their opinions, we had a nice discussion going about the reasons why some people like certain texts and dislike others. Then, one student announced loudly and in a very proud tone: "I hate all of them!!" "How so?" I asked hoping that the person would at least be smart enough to say he doesn't relate well to Medieval literature. "Oh, I just hate reading!" he said.

Do such people think they are making a good impression or something?; 10:34 p. m.
Elisa dijo...: How can you be interested in literary theory and hate linguistics? Linguistics is a very broad field. There's clear overlap.

Definitely the words of an idiot.; 11:19 a. m.

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Blurbs & Reviews

"Jonathan Mayhew’s new work belongs to a certain class of surprising books: those so obviously necessary once they appear that it apparently required a stroke of genius to come up with the idea for them."

--Daniel Katz

"Jonathan Mayhew's Lorca is less the distinctive Spanish poet, whose murder in 1936 marked the beginning of the Civil War, than he is an American invention. From the 1940s to the end of the century, our poets have invoked Lorca-in translation, of course-as a Romantic, exotic, radical, and, in many cases, gay icon-the poet of mystery and the duende. The Lorca myth, Mayhew argues persuasively, has enriched American lyric, but it has also been an obstacle to a more adequately grounded understanding of Spanish poetry in the 20th century. Apocryphal Lorca is revisionist criticism at its most acute."

-Marjorie Perloff

"Enhanced by copious notes and an excellent bibliography, this book offers a perceptive, intriguing assessment of the Garcia Lorca created by the postwar generation of American poets." (Choice )

"Mayhew is a critic who is at the top of his game; he combines a breadth of knowlege of the field with acute analysis."

--John C. Wilcox, University of Illinois at Urbana-Champaign

"Let me just cut through all the usual, boring book review preliminaries and say the following thing: Jonathan Mayhew has, in Apocryphal Lorca, written an amazing book. "

--Brandon Holmquest, Calque

"The great merit of Mayhew's study is his sustained effort to document and interrogate Lorca's reception, unique among American encounters with foreign literatures in its nature and extent."

--Lawrence Venuti, TLS.

"Se trata de Jonathan Mayhew y su extraordinario estudio Apocryphal Lorca. Translation, Parody, Kitsch. Esta obra se ocupa no de García Lorca sino de cómo los escritores estadounidenses han reinventado a Lorca, desde Spicer y Rothenberg hasta O’Hara y Koch. Asimismo, es una discusión de la Deep Image —¡cuánto hay que desmenuzar de ese capítulo!— y la manera en que la poética norteamericana se ha apropiado de lo lorqueano (o lorcaesco) y del concepto de lo 'otro' que éste representa. Éste es un libro repleto de sutilezas, de tesis, apuntes, datos."

--Heriberto Yépez

"Apocryphal Lorca, sin embargo, es mucho más que un estudio de las vidas posteriores de Lorca en la poesía americana entre principios de los años 50 y 70. También ofrece un acercamiento histórico a la traducción de su obra, descubriendo reseñas de prensa significativas y discurriendo acerca de reconocimientos críticos. El texto es elegante y fresco; el análisis amplio e históricamente específico."

--María Delgado, Revista de Literatura

¡Bemsha SWING!

15 feb 2011

Linguistics

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