Email me at jmayhew at ku dot edu
"The very existence of poetry should make us laugh. What is it all about? What is it for?"
“El subtítulo ‘Modelo para armar’ podría llevar a creer que las
diferentes partes del relato, separadas por blancos, se proponen como piezas permutables.”
There's a gap between the earlier concrete poetry and a later one, beginning in the 70s I think, when opacity rather than transparency and illegibility becomes the order of the day. There were earlier visual poets than Ullán in Spain, but he represents that transition.