Here's a list of Rothenberg's desiderata for "deep image" poetry:
"a heightened sense of the emotional contours of objects (their dark qualities, or shadows);
their free re-association in a manner that would be impossible to descriptive or logical thought, but is here almost unavoidable;
the sense of these objects (and the poem itself) being informed with a heightened relevance, a quickened sense of life;
the recognition of the poem as a natural structure arising at once from the act of emotive vision."
I fucking hate that word: "heightened."
ResponderEliminarI bet you don't like "quickened" either then.
ResponderEliminar