Email me at jmayhew at ku dot edu
"The very existence of poetry should make us laugh. What is it all about? What is it for?"
--Kenneth Koch
“El subtítulo ‘Modelo para armar’ podría llevar a creer que las
diferentes partes del relato, separadas por blancos, se proponen como piezas permutables.”
17 ago 2007
It's not unusual for me to come home and find my daughter playing "Joy Spring" along with Clifford Brown. She's learned the heads to about a dozen or more jazz standards, mostly just from playing along to the records and learning by ear. "All of Me," "Doxy," "St. Thomas," "Now's the Time," "So What," "Oleo," "Cherokee," "Tenor Madness," Moritat." Mostly Sonny Rollins, Miles Davis, Charlie Parker, Thelonious Monk. I hear her right now with "Birth of the Cool." I think it's "Boplicity." Now where could she have gotten this interest in jazz from?
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1 comentario:
That's very impressive. Keep it up! The fingerings on trumpet for Joyspring are not easy.
Tom King
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