Now that one article/chapter is out of the way for the time being, I will go back to my piece on "metrical signatures" in Rodríguez and Valente, written the summer before last.  Each poet has a particular "feel" for the passage of time.  If I can define that signature with some precision, mixing objective and subjective analysis at my whim, I will have a convincing study.  
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The virtues Jordan sees in Mary Ruefle remind me a lot of his own poetry.  See his review at the  Constant Critic  site.  
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