¡Bemsha SWING!

21 ene 2003

I got my first blog hate e-mail today, in reference my blog in Spanish. Apparently I don't know what I'm talking about when I say that Octavio Paz is somewhat overrated. I honestly thought that was a widely shared opinion! It doesn't mean that I don't think he is ever a good or even great poet--simply that he is somewhat sobrevalorado, that his work contains many weaker poems. What surprises me is that I have never had anything even remotely hostile in response to "Jonathan Mayhew's Blog." I'm sure I've been much more disrespectful and savage here than in my relatively academic and tame "Poesía en español."

2 comentarios:

Clarissa dijo...: My Mexican colleague and dear friend refers to Octavio Paz as "el poeta." And if you are innocent enough to ask which poet he means, a lecture awaits you. :-)

His second favorite poet is the amazing Osip Mandelshtam, so I forgive him for his insistence on "el poeta."

My well-guarded secret is that I don't like Paz as a poet at all. Love him as an ensayista, though.; 11:20 p. m.
Jonathan dijo...: Yes. I think he's better as an essayist too. Huidobro too is overrated, though Paz is better.; 11:23 p. m.

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Blurbs & Reviews

"Jonathan Mayhew’s new work belongs to a certain class of surprising books: those so obviously necessary once they appear that it apparently required a stroke of genius to come up with the idea for them."

--Daniel Katz

"Jonathan Mayhew's Lorca is less the distinctive Spanish poet, whose murder in 1936 marked the beginning of the Civil War, than he is an American invention. From the 1940s to the end of the century, our poets have invoked Lorca-in translation, of course-as a Romantic, exotic, radical, and, in many cases, gay icon-the poet of mystery and the duende. The Lorca myth, Mayhew argues persuasively, has enriched American lyric, but it has also been an obstacle to a more adequately grounded understanding of Spanish poetry in the 20th century. Apocryphal Lorca is revisionist criticism at its most acute."

-Marjorie Perloff

"Enhanced by copious notes and an excellent bibliography, this book offers a perceptive, intriguing assessment of the Garcia Lorca created by the postwar generation of American poets." (Choice )

"Mayhew is a critic who is at the top of his game; he combines a breadth of knowlege of the field with acute analysis."

--John C. Wilcox, University of Illinois at Urbana-Champaign

"Let me just cut through all the usual, boring book review preliminaries and say the following thing: Jonathan Mayhew has, in Apocryphal Lorca, written an amazing book. "

--Brandon Holmquest, Calque

"The great merit of Mayhew's study is his sustained effort to document and interrogate Lorca's reception, unique among American encounters with foreign literatures in its nature and extent."

--Lawrence Venuti, TLS.

"Se trata de Jonathan Mayhew y su extraordinario estudio Apocryphal Lorca. Translation, Parody, Kitsch. Esta obra se ocupa no de García Lorca sino de cómo los escritores estadounidenses han reinventado a Lorca, desde Spicer y Rothenberg hasta O’Hara y Koch. Asimismo, es una discusión de la Deep Image —¡cuánto hay que desmenuzar de ese capítulo!— y la manera en que la poética norteamericana se ha apropiado de lo lorqueano (o lorcaesco) y del concepto de lo 'otro' que éste representa. Éste es un libro repleto de sutilezas, de tesis, apuntes, datos."

--Heriberto Yépez

"Apocryphal Lorca, sin embargo, es mucho más que un estudio de las vidas posteriores de Lorca en la poesía americana entre principios de los años 50 y 70. También ofrece un acercamiento histórico a la traducción de su obra, descubriendo reseñas de prensa significativas y discurriendo acerca de reconocimientos críticos. El texto es elegante y fresco; el análisis amplio e históricamente específico."

--María Delgado, Revista de Literatura

¡Bemsha SWING!

21 ene 2003

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