Email me at jmayhew at ku dot edu
"The very existence of poetry should make us laugh. What is it all about? What is it for?"
--Kenneth Koch
“El subtítulo ‘Modelo para armar’ podría llevar a creer que las
diferentes partes del relato, separadas por blancos, se proponen como piezas permutables.”
1 oct 2002
Harold Bloom. Timothy Bahti. Geoffrey Hartman. George Steiner. Highly literate critics whose work I ought to appreciate, but whose prose style is so turgid and overwrought that I rebel. Those who complain about neo-colonial critics could also take a look at these “conservative” Comparative Literature professors. There is a connection, of course: the “Yale” style of Bloom and Hartman is taken up by Yale Ph.D. and Derrida translator Gayatri Spivak. I have never found anything useful in anything written by Harold Bloom. Some specific, identifiable, usable idea would be nice! Bloom has no ear for language—a serious handicap for a specialist in poetry. His own writing betrays him: as Joseph Epstein (a writer I usually dislike) pointed out recently, anyone who writes like that is no aesthete.
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